Daisies In The Gutter

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Location: Melbourne, Australia

writer, actor, poseur

Monday, November 27, 2006

Das Capital Marx Collexion


First year of uni. is done! I haven't got my results back yet, though. Soon they shall come to me. Soon. Ooh, yeah!

This is not much of a post so far, I know, but then this is not much of a world. People kill people, tear down too many trees, blah, blah, blah. I get sick of the crap sometimes, humans' sickness crap.

Anyway, I picked up this little beauty at a second-hand shop on Saturday: "The Marx Brothers Silver Screen Collection". It's at least AUD$80.00 new but I purchased this for a mere AUD$29.00! It was the most desired DVD(s) by me so I was quite ecstatic to obtain it so cheap; or, indeed, to find it for sale in any shop at all, for it is an import from U.S.A., having not been released here, which no doubt it never shall be. I thought I'd be waiting a while yet before being able to order it in, due to the price. But Fortune smiled.

For anyone interested, it contains the Bros.' first five movies (excluding Humorisk, which was a short silent flick that was made first but never released - late in life, Groucho offered $$$s if a copy could be procured but, alas, it is still currently a 'lost' film). The six-disc set contains The Cocoanuts (1929), Animal Crackers (1930), Monkey Business (1931), Horse Feathers (1932) and Duck Soup (1933), plus a disc of bonus materials containing three interviews - one with Harpo, one with Groucho, and one with Harpo's son, Bill.

Sometimes fellows like the Marx Brothers make more sense to me than most anything else in this world. Honestly.

Also, they make me laugh lots.

Sunday, November 19, 2006

The Beat Niked My De Soto

So, I’ve had bad sciatica for the past couple of weeks, the longest that my back muscles, and the nerves in my back and legs, have suffered with this ever for. It’s painful and makes me hobble like an old fart, or sometimes like the Little Tramp and that’s ne’er a connexion I’d ever wished to share with Chaplin. It’s annoying, too, especially in how it sometimes is too distracting for me to carry out any more complex mathemalogical thought processing. I’ve also had a few bouts of irritable bowel syndrome, which wouldn’t be so bad if I actually enjoyed the pungent, bitter odour of diarrhoea.

I just watched Memento (written and directed by Christopher Nolan) again; showed it to Shantoozy, who had not seen it before. She found it a bit painfully confusing for her mood at the time, which was one of a certain intellectual exhaustion. She appreciated its being a great thriller, though, which it is. It’s up there with Les Diaboliques (The Fiends) (dir.: Henri-Georges Clouzot), Vertigo (dir.: Alfred Hitchcock), North By Northwest (dir.: Alfred Hitchcock) and The Narrow Margin (dir.: Richard Fleischer), as an exposition of clever, really well crafted pulp fiction.


Then, later, and a change of mood it certainly exemplifies, we watched two classic episodes of the classic 1950’s program, the Groucho Marx -hosted You Bet Your Life. The wittiest ad-libber on the globe! (…Yes, S. Gregory, and Groucho’s not too bad, either.) “Go see your local De Soto (automobile) dealer today, and when you do, tell ’em Groucho sent you,” and he’d waggle his eyebrows and wiggle his cigar. Yep, Groucho was an odd duck. Thank goodness for that! Makes me want to track down an ol’ De Soto and drive it around, with an electrically modified engine, of course. I’d be a regular Prince Charles, puttering around, telling everyone that Groucho sent me.

I’ve been writing. More on that probably in my next post. Hopefully. You see, I am not one of those writers who talks a lot about his projects as he is at work on them. Afterwards is okay, but during is a bit tedious, it somewhat dampens the mood for me. There are a large number of writers who love to talk of their own work in progress, so it certainly works well that way for some, which I am completely respectful of; it’s just that, for me, it works differently. I guess my method shows that part of me, at least, is living the experience I write about, and that part is exercised quite rigorously by my imagination. When I was younger I thought I didn’t have much of an imagination, if any at all. I used to think that adding things together in intriguing lateral ways was a simple talent we all had, and could hardly be the same as imagination, for that was a magical thing that ended in fireworks and orgasms. Although, it isn't.

I’ve been getting stoned and enjoying it. Not every day, just sometimes. Also, three of us shared a small bag of ... Coca-Cola, shall we say? ... that I’d found on the street on my way to a drama performance early one frosty Sunday morning not too long prior. (Please note, seriously, that just because I do something, like emulate a Doobie Brother, for instance, doesn't mean that you should, or that I wasn't in the wrong in doing so, or whatever.)

I’m getting my guitar overhauled this week. It’s finally actually going to happen. It’s quite a nice acoustic guitar, all solid wood, with a curved, two-piece back, and nice, gentle action, manufactured by Aria of Japan, probably in the ’70s. It’s a bit banged around but I really like it. I bought it … Well, I bought it twice, actually. The story goes as follows.

I bought the guitar for around $350.00, I believe, in the year 1990, in a pawnbroker’s in Brisbane City’s limehouse region, the dark and dirty Fortitude Valley. The nite club, Family, which was voted Australia’s very best nite club, is in the Valley nowadays. I was still attending high school back in 1990. My proficiency on the instrument improved at a greater pace now than previously with my first guitar, a disgustingly blunt clump of shit of plywood construction.

After some quite serious time at the instrument I changed direction with things and basically forgot about the guitar, and so I sold it to a friend of mine for some cheap price. He had it for many years but didn't play it much; his band's guitarist used to play it a lot though, and had it in his possess for much of that period. Eventually, having no tangible use for it himself, he sold it back to me. He actually, and fairly, traded it with me for some Transformers toy robots I had. I feel happy to have the ol' twang thang back.

1990 was the year I properly discovered and befriended Ernest H. Shepard and A. A. Milne, and the characters of their illustrated stories of the great Winnie-the-Pooh and his friends. A friend of mine dug Paddington Bear particularly, and another friend I had was most hep to Rupert the Bear, but for me it is always Pooh Bear. Isn't funny how there's comfort in bears? Just the other day I won, on eBay, a copy of the rare The Pooh Song Book, containing simple guitar chord tablature which will be perfectly suited to my out-of-tune fingers. I shall learn to play the songs. The music, apparently possessing just the right degree of whimsy, was composed by H. Fraser-Simson as handpicked by A. A. Milne. So, I’m not talking any Disney Company reinterpretation shit here. This is the genuine article. Proper Pooh. And, yea, I’ll play the songs on my steel-string guitar.

…Smoking ganga, playing acoustic guitar… What am I, an hippy? Hot dang, I’d sooner be a beatnik, and that ain’t no great thing. Too affectatious. I gotta be keepin’ it real, dig?

I am, incidentally, reading Milne’s adult comedy play, The Dover Road, and am enjoying it immensely. Fellow-humourist P. G. Wodehouse cherished this play as his all-time favourite. I don’t know if I’d choose it over Wilde exactly, but it is very humourous, and philosophises with an amusing, old-fashioned sense of fun and absurdity. The premise is very clever. But I shan’t ruin it for you by outlining a synopsis here; you’ll have to track it down and read it for yourself – I think it’s available for free in ebook format through Project Gutenberg dot com.

Well, there’s still something delectable and black at calm near the bottom of my coffee cup. I shall depart and drain the contents, just as you have taken the time to nourish your mind on my brief words here, and I thank-you for it. Until next time, goodnight and pleasant orgasms.

Monday, November 06, 2006

Checking Of Your Head

Handed in my 2,000 word short story, now all I've got to do is hand in my 2,000 word short story. My other 2,000 word short story, that is. All of 'em autobiographical! But this last one is written in a third person narrative. So, like:

'Shane was a man. A great man. A sexy man. He would rise and go to the mirror and admire his hideous paunch and excessively grand family jewels. He then sat back down and continued writing his blog post with nobody the wiser. O, except the readers, of course. Yet there shouldn't be too many of them to worry about, maybe not e'en one.'

Anyway, to offset the possible bathos that scene might invoke, I shall briefly talk shopping. A recent purchase was the Star Wars Trilogy (Originals, of course) on DVD in their unaltered, unadulterated (or in other words, non-raped) versions. Limited Edition, so they will eventually become collector's items. Haven't watched them yet, nor e'en opened them; we are waiting for our big TV to get fixed (soon!) and these shall be the premiere films to be watched.

Then, I want to show Shantoozy Fellini's Satyricon, which is another one of the best things I've ever encountered in my life. It, too, is truly epic. It's about the ancient Roman demigods. The whole thing's real Ancient Rome type shit - barabaric and excessive yet a massive civilization! Highly recommended to anyone who likes good motion pictures.

Check your heads and later, dudes!

Wednesday, November 01, 2006

More At Last, Hooray, Ooh Boy, Big Whoopie, Who Gives A ...!

Sorry again. I’m late again. Yet, then again, I was always a late starter. Later than my friends did I enter into puberty. Again, I was probably the last one of my friends to lose my virginity after a ludicrous amount of missed opportunities where I was far too timid and gentlemanly for my own libido’s good. I am the tortoise, not the hare; through patience I hope to succeed where certain others rush about madly, like ol’ Busy Backson, Rabbit, woodland friend of Pooh Bear, with no clear goals in mind and not actually achieving anything really worthwhile. Don’t misunderstand me, please, for I know I am not guaranteed of creating anything really worthwhile either, but I think the slow but sure path is the best way to high quality, truly professional work, and go suck eggs if you don’t agree, hee-hee.

Anyway, I have been quite busy of late. Uni. has been winding down for the year. Or should I say, rather, winding up, because end of semester is always the most stressful time on the scholastic clock. Theatre is finished with for the year. Our last production saw me directing for the most part, with only a small speaking role and also an onstage appearance as a dead man. The play was “Mad Forest” by Carol Churchill. It seemed to have gone across well.

I puttered along to the uni. bar afterwards with other budding thespians and got thoroughly trashed, a rare occurrence for me because I generally find bars and the people who go there a terrible bore (ooh, how Evelyn Waugh of me!), but I liked my drama class this semester and it was a good night. I wouldn’t want to do it very often, though. Me, an unexciting homebody? To some, perhaps. But not to the ones who matter to me. I like my hobbit-hole, that’s for sure. Yet, I am also aware of the importance of getting out there a bit and mingling with dickhead society every now and again, if only to make me vomit up a bit of chutney or something I’d gotten lodged in my throat. Ah, psychotic humanity! When will sanity and peace reign strong?

I am currently writing an autobiographical short story about ‘a place that has a particularly resonant presence in my memory,’ to quote from the question I am answering for English 12WYL. The story is about ‘a dark and mysterious place which my semiliterate adoptive father used to refer to as, “The lowboar’”. This place was a weird area of our abode that my siblings and I hadn’t really explored before.’ This place was on the ground floor of my double-storey, very Nineteen-Seventies, suburban Australian childhood house.

‘One of the bricks constituting the far wall was vented, and sharp pricks of light serrated the gloom of the room from out of the vent holes in the brick. Looking through the little windows in the vented brick one day, I espied green shrubs and yearned for the vast lush jungle lands beyond, which I could barely glimpse.’

I hope I can make it better than it is at present. I mean, I quite like the segments I quote here but, over-all, she’s kinda shaky.

More soon, Daddy-O’s!