Who nowadays knows what a Shmoo is?
It is, at least, hard to find someone here in Australia who does. People here have rarely even heard of the comical strip “Li’l Abner” from which the Shmoo character hails, or its creator Al Capp. “Peanuts”, sure. “Calvin And Hobbes”, yes. Even that stupid garbage, “Garfield”, which is honestly probably more well known here than any of those others, surprise, surprise. But “Li’l Abner”, uh-uh. I don’t know if it was ever even printed in the papers in Australia; for it to be so little known here my guess is that it wasn’t or, if it was, that it was not published widely. Perhaps the backwoods idiots of Australia found the backwoods idiots of Dogpatch too American to understand or relate to. Well, anyway, just try finding any Al Capp in a bookshop, new or secondhand, or a library, in Australia and you’ll discover the hardship I’ve had to endure in tracking down “Li’l Abner” and the Shmoo.
I first encountered this white, seal-like, squash-shaped li’l critter as a young-un in its incarnation as a TV cartoon character. This was the Hanna-Barbera interpretation of the character where for some reason or other they turned him into a shape-shifter and gave him a job as a detective! Odd. Still, there were similarities in this Shmoo of “The New Shmoo” and “The Flintstone Comedy Show” cartoons to Al Capp’s original version, like his loving nature, his strange, moosical voice and, of course, his basic physical appearance. “The New Shmoo” is currently screening in Australia on the pay-TV channel ‘Boomerang’, incidentally.
It wasn’t until a few years ago that I began finding out more about the character, and Al Capp and his “Li’l Abner” strip. Very amoozin’, as they say in Dogpatch. Quite profound, too.
Here is how “The New Shorter Oxford English Dictionary” (1993 edition) defines the shmoo: ‘A fictitious animal invented by the U.S. cartoonist Al Capp in 1948, represented as small, round, and ready to fulfil immediately any material need; a model or toy version of this.’
Yes, if you looked at it hungrily it would die out of a loving willingness to please you. It tasted like various meats depending upon the method of cooking you used. Its eyes made perfect suspender buttons. Its whiskers, perfect toothpicks. Its hide could be used as top-quality leather or, if cut more thickly, an excellent substitute for timber. Nobody needed to pay for entertainment anymore because Shmoon (the plural of Shmoo) were so very entertaining to watch frolic. Big Business saw the Shmoo as its greatest threat and wanted to wipe out its existence…
The Shmoo is the kind of symbol any pagan could certainly appreciate. As Capp wrote, ‘…[T]here is a real live Shmoo. This big earth itself will give us everything we want, just as the Shmoo does, if only we’d let it alone – if only, in our passion and hatred and intolerance, we don’t tear it apart.’ (“New Republic” magazine, March 21, 1949, p. 15) Hear, hear!
The drawing in “Li’l Abner” is truly impressive. There is a poetry in Al Capp’s line that I dare to suggest is at least as good as Pablo Picasso’s. Capp worked with ghost-illustrators, as was common practice in that era, and their work was generally excellent, too.
This is my 48th post (excluding that one that Blogger lost a while back) and the Shmoo debuted in 1948, so what ho! for really tenuously connected coincidences, eh? Anyways…
If you would like to read and find out more about the Shmoo I recommend “The Short Life And Happy Times of The Shmoo” (pictured here as published by The Overlook Press in 2002). This great book contains two Shmoo strip continuities by Al Capp, “The Life And Times Of The Shmoo”, which in its singular, 1948 publication was the first comic strip ever to attract ‘serious’ literary attention in the U.S.A. (and, indeed, the world?), and “The Return Of The Shmoo”. It also has an excellent introduction by Harlan Ellison.
Have fun!